{"id":658,"date":"2022-01-17T15:05:24","date_gmt":"2022-01-17T14:05:24","guid":{"rendered":"https:\/\/fcdarchive.fr\/?page_id=658"},"modified":"2022-01-17T16:41:36","modified_gmt":"2022-01-17T15:41:36","slug":"histoire-de-lart","status":"publish","type":"page","link":"https:\/\/fcdarchive.fr\/?page_id=658","title":{"rendered":"Histoire de l’art"},"content":{"rendered":"\n

Histoire de l\u2019art, histoire des expositions, \u00e9crits d\u2019artistes<\/strong><\/p>\n\n\n\n

_ BARR Alfred H., Defining Modern Art : selected writings of Alfred H. Barr, Jr, <\/em>Irving Sandler and Amy Newman ed., New York, 1986<\/p>\n\n\n\n

_ BAYON Damian et PONTUAL Roberto, La peinture de l\u2019Am\u00e9rique Latine au XXe si\u00e8cle<\/em>, \u00c9dition Menges, Paris, 1990<\/p>\n\n\n\n

_ O’BRIAN John, Clement Greenberg, The collected essays and criticism, volume 2, Arrogant Purpose : 1945-1949<\/em>, Chicago : University Chicago Press, 1988<\/p>\n\n\n\n

_ GUIBAULT Serge, Comment New York vola l\u2019id\u00e9e d\u2019art moderne, <\/em>\u00c9ditions Jacqueline Chambon, N\u00eemes, 1996<\/p>\n\n\n\n

_ KATZENSTEIN In\u00e8s (sous la direction), Listen Here Now\u00a0!, Argentine Art of the 1960s\u00a0: Writings of the Avant \u2013 Garde<\/em>, The Museum of Modern Art, New York, 2004<\/p>\n\n\n\n

_ <\/em>LYNES Russell, Good Old Modern, an intimate portrait of the MOMA<\/em>, Atheneum, New York, 1973<\/p>\n\n\n\n

_ MOTHERWELL Robert, The Collected Writings of Robert Motherwell<\/em>, University of California Press novembre, 1999<\/p>\n\n\n\n

_ RIVERA Diego, \u00c9crits sur l\u2019art,<\/em> s\u00e9lection et traductions de textes de Catherine Ballestero, Ides et Calendes, Neuchat\u00eal, 1996<\/p>\n\n\n\n

_ SIQUEIROS David A., L\u2019art et la r\u00e9volution, r\u00e9flexion \u00e0 partir du muralisme mexicain<\/em>, traduction sous la direction de Georges Fournial, \u00c9ditions Sociales, collection Ouvertures, Paris, 1973<\/p>\n\n\n\n

_ STANISZEWSKI Mary Anne, the Power of Display, A history of Exhibition Installations at the Museum of Modern Art, <\/em>The Mit Press, Cambridge, Massachusetts, London, 1998<\/p>\n\n\n\n

_ STOCKING George, Objects and Others : Essays on Museums and Material Culture<\/em>, G. Stocking Jr. ed, history and anthropology 3, Madison, University of Wisconsin, 1985<\/p>\n\n\n\n

_ WALLOCK L\u00e9onard, New York 1940 \u2013 1965<\/em>, \u00e9ditions du Seuil, Paris, 1988<\/p>\n\n\n\n

<\/p>\n\n\n\n

\u00c9tudes culturelles<\/strong><\/p>\n\n\n\n

_ LASCH Christopher Lasch, The Agony of the american left<\/em>, Alfred A. Knopf, New York, 1969<\/p>\n\n\n\n

_ STONOR-SAUNDERS Frances, Who paid the piper ? The CIA and the cultural cold war, <\/em>Granta Books, London, 1999<\/p>\n\n\n\n

<\/p>\n\n\n\n

Expositions<\/strong><\/p>\n\n\n\n

_ BARR Alfred H., Masters of modern art<\/em>,  MOMA, New York, 1954.<\/em><\/p>\n\n\n\n

_ CARMEN RAMIREZ Mari et OLEA Hector, Inverted Utopias, Avant-garde Art in Latin America<\/em>, Yale University Press et The Museum of Fine Arts, Huston, 2004<\/p>\n\n\n\n

_ <\/em>STEICHEN Edward, The Family of Man<\/em>, MOMA, New York, 1955<\/p>\n\n\n\n

_ Power in the Pacific<\/em>, MOMA, William E. Rudge\u2019s Sons, New York, 1945<\/p>\n\n\n\n

_ American Artists paint the city, XXVIIIth Biennale de Venise, <\/em>Art institute of Chicago, 1956<\/p>\n\n\n\n

_ The New American painting as shown in 8 European countries, 1958-59<\/em>, MOMA, New York, 1959<\/p>\n\n\n\n

_ Antagonismes : Mus\u00e9e des arts d\u00e9coratifs,<\/em> Congr\u00e8s pour la Libert\u00e9 de la Culture, Mus\u00e9e des arts d\u00e9coratifs, Paris 1960<\/p>\n\n\n\n

_Blast, Foyer et Explosion<\/em>, Mus\u00e9e d\u2019art Moderne Lille M\u00e9tropole, Villeneuve d’Ascq, 1989<\/p>\n\n\n\n

_ Estados Unidos. VI Bienal do museu do arte Moderna<\/em>, Sao Paulo 1961 <\/p>\n\n\n\n

_ Jackson Pollock – 1912-1956, Catalogue Of An Exhibition Of Paintings And Drawings Organized By The Museum Of Modern Art<\/em>, Whitechapel Art Gallery, Londres 1958<\/p>\n\n\n\n

_ Mark Rothko, catalogue de l\u2019exposition r\u00e9trospective<\/em>, Mus\u00e9e d\u2019art Moderne de la Ville de Paris, Paris, 1999<\/p>\n\n\n\n

_ XXXI Biennale, Venezia 1962, 2 Pittori ; 2 Scultori, Stati Uniti d\u2019America<\/em>, International Council, Museum of Modern Art, Venise, 1962<\/p>\n\n\n\n

_ XXXII Esposizione Biennale Internatioale d\u2019Arte, Quattro Pittori Germinali \u2013 Four Germinal Painters, Quattro Artisti Piu Giovani \u2013 Four Youger Artists, <\/em>United States of America, Jewish Museum of New York, Venise, 1964<\/p>\n\n\n\n

_ Semaine n\u00b0 14, C.A.D.A,<\/em> Mus\u00e9e des beaux arts de Nantes, Nantes, 2004<\/p>\n\n\n\n

_ Da adversidade vivem os<\/em>, Mus\u00e9e d\u2019Art Moderne de la Ville de Paris, Paris, 2001<\/p>\n\n\n\n

_ Modernidade, art br\u00e9silien du 20\u00e8me<\/sup> si\u00e8cle<\/em>, Mus\u00e9e d\u2019Art Moderne de la Ville de Paris, AFAA, Paris, 1987<\/p>\n\n\n\n

<\/p>\n\n\n\n

Articles, Revues<\/strong><\/p>\n\n\n\n

_ BATTCOCK Gregory, \u00ab\u00a0Art and Politics at Venice : a disappointing Biennale\u00a0\u00bb, in Arts Magazine <\/em>45, n\u00b01 (sep-oct 1970)<\/p>\n\n\n\n

_ COCKROFT Eva, \u00ab\u00a0Abstract Expressionism, weapon of the cold war\u00a0\u00bb, in Art Forum n\u00b012 (juin 1974) <\/p>\n\n\n\n

_ <\/em>DUNCAN Carol, \u00ab\u00a0MOMA : Ordeal and Triumph an 53rd Street\u00a0\u00bb, in Studio International<\/em> 194 N\u00b0988 (1978)<\/p>\n\n\n\n

_ <\/em>GREENBERG Clement, \u00ab\u00a0The Declin of Cubism\u00a0\u00bb, in Partisan Review<\/em>, volume XV, n\u00b03 (1948) <\/p>\n\n\n\n

_ HAUPTMAN William, The supression of the art in the MacCarthy decade, in art Forum<\/em> (octobre 1973)<\/p>\n\n\n\n

_ Odile Benyahia-Kouider, Le MOMA divise Berlin<\/em>, Lib\u00e9ration du 5 mars 2004<\/p>\n\n\n\n

_ MORGAN Carol, From modernist utopia to cold war reality<\/em>, in Studies in Modern Art<\/em>, s\u00e9rie john Elderfield, vol 5, The Museum of modern art at Mid-Century, Continuity and change<\/em>, MOMA, New York (1995)<\/p>\n\n\n\n

_ SCHWARTZ Therese, The politicalization of the Avant-Garde<\/em>, in Art in America<\/em> 59 n\u00b06 (nov-dec 1970), 60 n\u00b02 (mars avril 1972), 61 n\u00b02 (mars avril 1973)<\/p>\n\n\n\n

_ Bulletin of the museum of modern art<\/em> 10 n\u00b01 (oct-nov 42), New York (1942)<\/p>\n\n\n\n

_ Bulletin of the museum of modern art<\/em> 21 n\u00b03-4 (\u00e9t\u00e9 54), New York (1954)<\/p>\n\n\n\n

<\/p>\n\n\n\n

Publication en ligne<\/strong><\/p>\n\n\n\n

_ CUMMINGS Richard, Art and the CIA<\/a><\/em> <\/p>\n\n\n\n

Site Web<\/strong><\/p>\n\n\n\n

_ Site du Museum of Modern Art : http:\/\/www.moma.org\/<\/a><\/p>\n\n\n\n

_ Site du MoMA \u00e0 Berlin : http:\/\/www.das-moma-in-berlin.de\/<\/a><\/p>\n\n\n\n

_ Site du Mus\u00e9e d\u2019Art Moderne de Sao Polo : http:\/\/www.mam.org.br\/<\/a><\/p>\n","protected":false},"excerpt":{"rendered":"

Histoire de l\u2019art, histoire des expositions, \u00e9crits d\u2019artistes _ BARR Alfred H., Defining Modern Art : selected writings of Alfred H. Barr, Jr, Irving Sandler and Amy Newman ed., New York, 1986 _ BAYON Damian et PONTUAL Roberto, La peinture de l\u2019Am\u00e9rique Latine au XXe si\u00e8cle, \u00c9dition Menges, Paris, 1990 _ O’BRIAN John, Clement Greenberg, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":41,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":[],"_links":{"self":[{"href":"https:\/\/fcdarchive.fr\/index.php?rest_route=\/wp\/v2\/pages\/658"}],"collection":[{"href":"https:\/\/fcdarchive.fr\/index.php?rest_route=\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/fcdarchive.fr\/index.php?rest_route=\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/fcdarchive.fr\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fcdarchive.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=658"}],"version-history":[{"count":8,"href":"https:\/\/fcdarchive.fr\/index.php?rest_route=\/wp\/v2\/pages\/658\/revisions"}],"predecessor-version":[{"id":683,"href":"https:\/\/fcdarchive.fr\/index.php?rest_route=\/wp\/v2\/pages\/658\/revisions\/683"}],"up":[{"embeddable":true,"href":"https:\/\/fcdarchive.fr\/index.php?rest_route=\/wp\/v2\/pages\/41"}],"wp:attachment":[{"href":"https:\/\/fcdarchive.fr\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=658"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}